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The Hard Lie
How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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The Dirt Doctor
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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Our 20th Music Awards
1988-2008: Two Decades of DOMA
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Heart of Darkness
Heath Ledger peers into the void as The Dark Knight returns
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Robots in Love
WALL-E blasts off to the future by boldly going where every sci-fi movie's gone before. And that's a good thing.
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Superzero
Hancock squanders potential greatness with lame humor and a half-baked hero
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Going Down
Brendan Fraser falls into a deep, deep hole at the Center of the Earth
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Back...and Loving It
Get Smart redux is a rare device: a TV remake for the big screen that works on its own terms
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Hot Stuff
The lighthearted Wasabi offers real kicks
Published on November 14, 2002
A tough Paris cop (Jean Reno) flies to Tokyo for the funeral of his great lost love, only to find out that she has left him in charge of the rebellious teen-age daughter (Ryoko Hirosue) whose existence she had kept a secret from him. When the girl turns out to be the target of yakuza thugs, he enlists an enthusiastic if bumbling old friend (Michel Muller) to help him protect her without tipping her off to the jeopardy she's in. Wasabi is the first of two Luc Besson productions this season: The Transporter may have a bigger budget and a higher profile, but Wasabi is handily the better of the two. Besson wrote and produced, but director Gérard Krawczyk brings a much lighter touch than Besson himself has ever displayed. Krawczyk deserves a huge amount of the credit for the film's thoroughly winning tone. He gets delightful performances from all three of the principal players and manages to put together some action scenes that are straight out of the Hong Kong comedy/action tradition.