Most Popular
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The Hard Lie
How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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The Dirt Doctor
How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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Our 20th Music Awards
1988-2008: Two Decades of DOMA
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Big Willie Style
Willie Nelson doesn't have to continue performing—which makes his insistence to keep doing so all the more remarkable
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Bringing Sachse Back
21-year-old Dondria Nicole's on the verge of a major-label push as we prepare for the Observer's 20th Music Awards issue
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Good Radio?
Indie rock finds a new home in Dallas' cluttered corporate radio landscape
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Recent Articles
Recent Articles by Jonathan Cunningham
With six months X'd off of the calendar year, we look back at the best music of the year—and wonder which albums we'll remember come December
Monday, March 17, at House of Blues
Thursday, October 4, at House of Blues
Jamaica's new dancehall badass wants your attention
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By Elizabeth Dwoskin
Viva la Bands, with GWAR, Cradle of Filth, CKY and more
Thursday, October 4, at House of Blues
Published on October 04, 2007
Shock rock has seen its fair share of gory characters, but they're all tame in comparison to GWAR. Known for its wild stage theatrics, which include homages to necrophilia, scatology, bestiality, rape, murder, carnage and lots of other things that could give Tipper Gore types a heart attack, GWAR has little concern for political correctness or even the mere possibility of being censored. They've got a message to convey, and it centers around enjoying filthy shock rock, having fun and taking life less seriously than society suggests. Based in Richmond, Virginia, yet constantly on the road, GWAR is notorious for spraying audiences with imitation pus, blood and, yes, semen—all in the name of entertaining/freaking out the crowd. None of this takes away from the grit of the music, however, which is always high-octane thrash metal of the highest caliber. GWAR is easily one of the most recognizable groups in the history of rock based on its larger-than-life gothic costumes and face paint. In that sense, it can be accused of aping KISS, at least as far as the outfits go, but Gene Simmons as an outrageous lead singer has nothing on Oderus Urungus. Slum dogs, unite!