Most Popular

  • DISD In the Hole
    Teachers get axed and parents fret as Dallas' school leaders scramble to cover a budget hole
  • Polygamy and Me
    Seven months have passed since the polygamist raid in Eldorado, but for one mainstream Mormon, the effects linger
  • Beer Is Good
    Texas law stifles state's craft brewers
  • How To Piss Off A Member Of Weezer
    Brian Bell isn't so hot on comparisons between past Weezer records and the latest
  • DISD's Confederacy of Jerks
    Extremely pushy parents—Latino, black and Anglo—must rise up to save DISD from itself

Recent Articles

Recent Articles by Jesse Hughey

National Features >

  • SF Weekly

    Pinot Bizarre

    You won't believe the California wine industry's latest new-age craze.

    By Joe Eskenazi

  • Westword

    The Snowboard Bandits

    They lived for excitement, but the FBI got the final thrill.

    By Joel Warner

  • Seattle Weekly

    "Trash Fish"

    Chuck Bundrant built an unlikely seafood empire--with a little help from Alaska Senator Ted Stevens.

    By Laura Onstot

  • Village Voice

    The Transformation of Mike Bloomberg

    How a benevolent billionaire mayor ended up owning us all.

    By Wayne Barrett

Dax Riggs, John Barrett's Bass Drum of Death

Friday, June 6, at Lola's, Fort Worth

By Jesse Hughey

Published on June 04, 2008 at 9:05am

Oxford, Mississippi's John Barrett has one-upped The Black Keys and The White Stripes by stripping his blues-garage rock band down to a single member. Or is that one-downed? Either way, in Barrett's case, the rudimentary percussion complements his rawboned songs.

He sings and plays grimy blues licks along with whatever percussion he can bang out with maracas, tambourines, handclaps and, of course, his bass drum. His songs are just as fast, loose and sloppy as his tales of death and general bad-assery deserve. And, after his set, Barrett will put down the guitar and pick up the rest of his drum kit to play with like-minded blues-rocker Dax Riggs, whom you may remember from '90s stoner-sludge rock band Acid Bath. Riggs' solo work isn't as close to straightforward blues as Barrett's is, instead drawing on folk and primitive rock influences. Riggs slurs and drawls about suicide and demons tied to chairs in his brain over piano and slow, heavy guitars. Interesting stuff, certainly, but Barrett's set looks like the more promising of the night.



Dallas Observer Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com